2004-03-11

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Guardian Unlimited | Arts features | False witness

Last week David Hockney declared the end of photography in these pages: the rise and rise of digital cameras, and the concomitant ease with which images can be distorted and manipulated, have put paid to the notion of photography's truthfulness, he argued. Joel Sternfeld, winner of the Citigroup photography prize (for which the Guardian is media partner) begs to differ.